Press
RCRD LBL
"A little jazzy, a little psychedelic, with electronic and synth elements and obscure film clips dotted throughout, it's much more Tribe meets The Books than amphetamine-addled top 40 mash up."
Mixtape Muse
"It all ends with a man saying, “This nightmare is over,” and, by the end, you certainly feel like this was less an album and more an inspiring experience – or an honest journey through this world."
Buzzine Music
"There’s a pioneering spirit and a sense of exploration that others will most likely emulate, knowing that the territory isn’t entirely uncharted because Big Pauper got there first."
Beyond My Means
By Big Pauper
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#1 Blue Dawn
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#2 The Stale Breath of 1000 Lucrative Club Bangers
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#3 Your Nighttime Energy is the Dream of the Elf
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#4 Big Sick
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#5 Clove Hitch
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#6 Expansion and Suppression
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#7 The Simple Life (Sequel)
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#8 Bread & Puppet
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#9 Portland to Paros
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#10 With the Terrorists
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#11 Beyond Mine, Beyond Ours
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#12 Firebombing My Little Dresden
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#13 A Love to Last (Bonus track, album only)
Physical versions of this item come bundled with the digital version for free.
Big Pauper has had a busy twenty six years on earth. Formerly performing under the name Panzah Zandahz, Portland's Big Pauper is an acclaimed producer, deejay and visual artist with a penchant for forgotten media and discarded technologies. His ten year stint managing the abstract hip hop label Token Recluse found a wide variety of projects in his lap. Pauper established himself with the notoriety of a full length cut and paste reinterpretation of first Radiohead, and then Beck. In their wake, Pauper performed at Scribble Jam & the Red Bull Music Academy, toured Europe a handful of times and worked with the likes of Two Ton Sloth, Cut Chemist and the Dandy Warhols. Big Pauper also has been producing circuit bent video work within the world-renowned sound art collective Folktek and gearing his projects towards a variety of video-art installations.
His most recent effort "Beyond My Means" sits comfortably somewhere between a 93 era instrumental hip hop record and some of the best downtempo electronic work out there today. It is a dusty, glitchy and often times noisy tapestry of found sounds, VHS beats and analog synth textures. The album has it's roots deep in sixties psych rock, the dregs of new age tape crustiness, our waning industrial society and most evidently, schlock cinema (everything from Portuguese horror, to the sleaziest of nunsploitation). The album draws comparisons to recent works from the Books, Broadcast, Odd Nosdam and Edan. Beyond My Means unfolds like a grindhouse double feature, that private press record you can't believe you found, or your third eye chakra babbling on after a group reiki session.













